The Milab DC-196 80th Anniversary Edition Large Diaphragm Condenser Microphone highlights the 80th anniversary of Pearl and Milab (1941-2021) and is coated in a beautiful red Nextel finish which gives it a bit more attitude than the more discreet black DC-196. The DC-196 80th Anniversary Edition is a versatile power tool built around the latest [more]
37 years after the introduction of its predecessor, the brand new Milab VIP-60 boasts an updated capsule and optimized circuitry to bring the sound of the classic VIP-50 into the 21st century. How do you reinvigorate an iconic microphone without losing the “magic” in the process? The Milab R&D team used a careful and meticulous [more]
The VM-44 Supercardioid is an interchangeable capsule for the VM-44 system and has been designed to provide the same natural sound that has made the VM-44 the best selling Milab product ever. The VM-44 is also available with a cardioid (standard) and an omni capsule. Suitable for: VM-44 Classic, VM-44 Link & VM-44 Gooseneck
The best-selling Milab model is a true workhorse with a transparent sound that excels on transient rich sources like acoustic guitar, piano or drums. The hand-made small diaphragm condenser capsule is wonderfully transparent and handles fast transients and high frequency content like few, if any, competitors. It has a beautifully straight frequency curve with a [more]
The VM-44 Omni is an interchangeable capsule for the VM-44 system and has been designed to provide the same natural sound that has made the VM-44 the best selling Milab product ever. The VM-44 is also available with a cardioid (standard) and a supercardioid capsule. Suitable for: VM-44 Classic, VM-44 Link & VM-44 Gooseneck
The most compact version of the VM-44 where the amplifier is separated from the capsule by a 3 meter cable (can be ordered to custom lengths). The VM-44 Link is an “active cable” version of the VM-44 where the capsule and the first stage of the amplifier is separated from the main amplifier by a [more]
The gooseneck version of the VM-44 has been designed mainly for podium and conference use. The amplifier fits directly to an XLR-input. Choose the gooseneck version of the VM-44 for maximum flexibility and control. The gooseneck fits directly to a 3/8″ (male) thread and can be customised in length. Combine the VM-44 Gooseneck with the [more]
Probably the most recognizable Milab model ever produced. A classic vocal microphone found in recording studios all over the world. “I can tell you there’s only one mic that’s come out in the last decade which is truly remarkable, and that’s the Milab VIP-50. […] I used it on Ray Charles on “I’ll Be Good [more]
A single-unit surround system for audophiles, based on a revolutionary technology that produces six separate cardioid channels from only three capsules. “Tonally, the SRND 360 sounds extremely solid [and] proved fabolous at generating rock-solid imaging when played back in 5.1“ – Resolution Magazine “Verdict: Mic of the Year!“ – Soundcheck Magazine The SRND 360 is [more]
State-of-the-art vocal condenser for stage use. The outstanding capsule from the Milab VM-44 in a solid brass body built for the road. “Its transmission characteristics are outstanding, the mic sounds simply fantastic.” – Soundcheck Magazine “It is simply hard to fail with the vocals” – Monitor Magazine The LSR-3000 represents the top of the line [more]
State-of-the-art vocal condenser for stage use. The outstanding capsule from the Milab VM-44 in a solid brass body built for the road. “Its transmission characteristics are outstanding, the mic sounds simply fantastic.” – Soundcheck Magazine “It is simply hard to fail with the vocals” – Monitor Magazine The LSR-3000 represents the top of the line [more]
Arguably the most exclusive microphone kit for drums on the market. Contains 1 x BDM-01 and 7 x VM-44’s plus accessories. Delivered in a high quality case. The Milab Drum Pack is nothing less than a superior high-end solution for micing drums. The bundle contains: 1 x Milab BDM-01 for the bass drum 7 x [more]
A highly compact and versatile microphone offering three different polar patterns, low self-noise and excellent SPL handling. “Very versatile and refined.” – Sound on Sound “[The DC-196] shines as a vocal mic, capturing a smooth, detailed and full-bodied sound that belies its small stature.” – AudioTechnology The DC-196 is a versatile power tool built around [more]
The newest version of the classic Milab DC-96. Received stellar reviews and was nominated as “microphone of the year” in Resolution Magazine upon its release. “Milab’s new mic is a winner. The DC-96C sparkles with clarity on the high end, yet retains the low-end warmth of the DC-96B.” – Tape Op Magazine “Every now and [more]
A dedicated, no-compromise kick drum condenser microphone that handles a staggering 155 dB. “It is the master, not the apprentice.“ – Sound on Sound “Dedicated bass drum mics are relatively commonplace nowadays, but there’s nothing common about the BDM-01. Refined and detailed sounding, […] an impressive addition to the Swedish stable.” – AudioTechnology Magazine The [more]
The Pearl CC22 is a cardiod condenser microphone without any switches. It uses the classic Pearl large rectangular dual membrane capsule, and is perfectly suited to studio and live applications. The CC22 offers a frequency response of 20Hz-25kHz, and requires 48V phantom power.
The Pearl CO22 uses the classic Pearl rectangular capsule configured in an omni-directional pattern. The high quality phantom powered preamplifier has very low noise levels making the CO 22 useful in many studio applications.The frequency response of the CO 22 is very flat on both “on” and “off” axis up to 12kHz which makes it [more]
We like to think of the 22 series as our most allround models. The CB 22 is the figure-of-eight member of the 22 family. It uses Pearl’s large, rectangular, dual membrane capsule. Its natural and uncoloured sound makes it an excellent choice for capturing the nuances and timbres of musical instruments and vocal performances. The [more]
The Pearl ELM utilizes a rectangular capsule with an extreme (7:1) length/width ratio. The new linear capsule has more than twice the surface area of large-diameter round capsules giving it excellent signal/noise ratio while avoiding in-band resonance. In addition, at high frequencies the narrow width provides uniformity of directional pattern in the lateral sense, while [more]
The Pearl ELM utilizes a rectangular capsule with an extreme (7:1) length/width ratio. The new linear capsule has more than twice the surface area of large-diameter round capsules giving it excellent signal/noise ratio while avoiding in-band resonance. In addition, at high frequencies the narrow width provides uniformity of directional pattern in the lateral sense, while [more]
The Pearl ELM utilizes a rectangular capsule with an extreme (7:1) length/width ratio. The new linear capsule has more than twice the surface area of large-diameter round capsules giving it excellent signal/noise ratio while avoiding in-band resonance. In addition, at high frequencies the narrow width provides uniformity of directional pattern in the lateral sense, while [more]